I accidentally stumbled across this overrated movies list when browsing IMDB the other day and felt it worth posting here. It is a short but very entertaining read. http://www.imdb.com/list/nvf9yQVhEHM/
My comments on some of his:
Full Metal Jacket - I love this movie and I love Stanley Kubrick. That said, I do tend to agree that although the beginning and ending were amazing, much of the middle section was a rather chaotic pastiche of vignettes where some worked and some didn't. Also, I almost hate to admit that lead actor Mathew Modine seemed to pioneer the smug Hollywood liberal persona which was later perfected by people like George Clooney.
Ben Hur - I've always loved this movie. It was big and epic and often poignant and touching. Having said that, I agree completely that Chuck Heston, though imminently likeable, did tend to be a one-dimensional actor who played the same character in everything he did (like Tom Cruise). Also, I sort of begrudgingly agree that the film does at times seen to lumber along under the weight of its own bloat and self-importance.
Gone with the Wind - He nailed this one. "The movie is overlong and annoying, and started that whole production values make a good film nonsense." Also, I can't believe Hollywood would do a big-budget Civil War film and not do even one battle, and I thought the much ballyhooed burning of Atlanta sequence was a poor substitute.
The Exorcist - He nailed this one as well. "There is a big difference between being scary, and just being unpleasant." The Exorcist was definitely unpleasant to watch. 'nuff said.
The English Patient - Dull, overlong, and exceedingly pretentious. "This film was the epitome of a very strange Hollywood phenomenon; the movie whose subject matter is worthy in some way and therefore it will be acclaimed by the academy regardless of whether it's deserved or not." This one gets my vote as the worst choice for best picture ever. Another movie that displayed this phenomenon was Ghandi; not a bad movie by any means (and certainly better than English Patient), but far less cutting edge and adventurous than many, many other films that came out in 1982. The Academy deemed Ghandi a safe and politically correct choice for that year.
The Big Lebowski - I loved the Coen Bros' Fargo and so really wanted to like this one, but like the Exorcist I just found it exceedingly unpleasant, embarrassing even, to watch.
Spider Man - I agree completely with his assessment. The soap-opera screenplay and the horrible miscasting of Tobey Maguire in the lead killed this movie for me. I thought Nicholas Hammond way back in the day did a much better job playing Spidey.
Dances with Wolves - Again he is spot-on. Not a bad film, but not a great one either, and it seems of late to be having a resurgence of popularity that is probably not deserved. I also tend to agree that Costner was maybe a bit overrated as a director but underrated as an actor. Curious that.
Life of Brian - As the writer said, amusing at times, but no where near as consistently funny as the Python's legendary 'Holy Grail' movie.
Pulp Fiction - Probably the most controversial choice on his list, and he admits it. I totally agree that it's at times hugely entertaining with Tarantino's usual bevy of larger than life characters, a very witty script, great period music that is featured prominently in the film, and yes, I agree that Sam Jackson was indeed robbed come Oscar time. That said, I do heartily agree that the film's "underlying nastiness that masquerades as cool" is rather troubling. As someone else said of Tarantino, his movies have absolutely no redeeming qualities over and above the straight entertainment value.
My comments on some of his:
Full Metal Jacket - I love this movie and I love Stanley Kubrick. That said, I do tend to agree that although the beginning and ending were amazing, much of the middle section was a rather chaotic pastiche of vignettes where some worked and some didn't. Also, I almost hate to admit that lead actor Mathew Modine seemed to pioneer the smug Hollywood liberal persona which was later perfected by people like George Clooney.
Ben Hur - I've always loved this movie. It was big and epic and often poignant and touching. Having said that, I agree completely that Chuck Heston, though imminently likeable, did tend to be a one-dimensional actor who played the same character in everything he did (like Tom Cruise). Also, I sort of begrudgingly agree that the film does at times seen to lumber along under the weight of its own bloat and self-importance.
Gone with the Wind - He nailed this one. "The movie is overlong and annoying, and started that whole production values make a good film nonsense." Also, I can't believe Hollywood would do a big-budget Civil War film and not do even one battle, and I thought the much ballyhooed burning of Atlanta sequence was a poor substitute.
The Exorcist - He nailed this one as well. "There is a big difference between being scary, and just being unpleasant." The Exorcist was definitely unpleasant to watch. 'nuff said.
The English Patient - Dull, overlong, and exceedingly pretentious. "This film was the epitome of a very strange Hollywood phenomenon; the movie whose subject matter is worthy in some way and therefore it will be acclaimed by the academy regardless of whether it's deserved or not." This one gets my vote as the worst choice for best picture ever. Another movie that displayed this phenomenon was Ghandi; not a bad movie by any means (and certainly better than English Patient), but far less cutting edge and adventurous than many, many other films that came out in 1982. The Academy deemed Ghandi a safe and politically correct choice for that year.
The Big Lebowski - I loved the Coen Bros' Fargo and so really wanted to like this one, but like the Exorcist I just found it exceedingly unpleasant, embarrassing even, to watch.
Spider Man - I agree completely with his assessment. The soap-opera screenplay and the horrible miscasting of Tobey Maguire in the lead killed this movie for me. I thought Nicholas Hammond way back in the day did a much better job playing Spidey.
Dances with Wolves - Again he is spot-on. Not a bad film, but not a great one either, and it seems of late to be having a resurgence of popularity that is probably not deserved. I also tend to agree that Costner was maybe a bit overrated as a director but underrated as an actor. Curious that.
Life of Brian - As the writer said, amusing at times, but no where near as consistently funny as the Python's legendary 'Holy Grail' movie.
Pulp Fiction - Probably the most controversial choice on his list, and he admits it. I totally agree that it's at times hugely entertaining with Tarantino's usual bevy of larger than life characters, a very witty script, great period music that is featured prominently in the film, and yes, I agree that Sam Jackson was indeed robbed come Oscar time. That said, I do heartily agree that the film's "underlying nastiness that masquerades as cool" is rather troubling. As someone else said of Tarantino, his movies have absolutely no redeeming qualities over and above the straight entertainment value.
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